This Martin Scorsese film was a one I'll never forget to say the least. I've always been a fan of Martin's work such as Taxi Driver or Goodfellas just to name a few. So when I decided to watch this film, I was certain I was going to enjoy based on this consistent style of movies, and choice of actors. Leonardo DiCaprio and Jack Nicholson have been favorite actors of mine since I was young. Even though I had high expectations, it still somehow exceeded my expectations. With the surplus of the camera angle shots, that were fast paced and coordinated with the intensity of the dialogue. The multiple plot twists in the film actually caught me off guard and that does not really happen anymore when I watch films with plot twists.
One of my favorite shots was in the beginning with the narration by Nicholson's character, for a few minutes you couldn't really see his face, he appeared as a shadowy figure. When he was done with his narration and appeared from the darkness into the shot with practical light and low angle shot. It gave the character a fear factor that he seemed very dangerous. Overall 5 out of 5 stars for the film (it won best picture in 2006) so I guess others agreed with me.
This scene sequence was so mind-blowing to me, I had no idea what to think after I watched it. If you watch this, it might spoil the entire movie for you LOL.
Did you know there was an alternate ending proposed where all three survive with a potential sequel? I would've hated it compared to how it played out.
After reviewing chapter 5 about Cinematography and watching Get Out in class last week, I can use some of the terms to describe one of my favorite scenes from the film. This conventional thriller film pushed new waves on our interpretation of this genre. Diving into the iconic scene where Chris goes into the "sunken place" after Missy hypnotizes him. Popular director Jordan Peele and cinematographer Toby Oliver carefully crafted the stylistic choices with Chris and the setting. The main characteristic of lighting is Artificial lighting with fill. The lighting was established when Chris was sinking into the darkness and the light was from the viewpoint of what he was seeing beforehand. It casted the dark void Chris was slipping into gradually losing light. The depth of field was chosen to be casted far away from our character to establish the "sunken place" idea with a high angle far shot on Chris. The slow movements the chracter was making created a vision of him b...
Heres the scene I picked! What is the Story? The “heart” of Jaws occurs at the beach when the mayor and tourists finally get a glimpse of the shark. When the reports of the shark were coming in Brody wanted to shut the beaches down but the mayor was persistent in keeping the beaches open because it was the busiest time of the year for Amity. From any audience perspective, you could relate to the actors on the beaches becoming terrified of being hurt by the great white. Speilberg carefully selected his shots to be more up close with the shark instead of it being from the sand. I believe this was for the audience to understand the magnitude of the shark and the fear he possessed. Once people were out on the beaches and saw the shark with their own eyes the island collectively knew Brody, Quint, and Matt had to go kill it. What is the camera doing? As mentioned before, most of the shots are mid-level or close up with eye-level shots with cuts of Brody on the b...
Initally as "little", he was himself but was always getting picked on but with the help of Kevin, Juan, and theresa they guided him to help shape his own indenitiy. However when we get to act two of Chiron, he really struggles with identity but wants to eagerly fit in. Terrell, his bully does not help whatsoever with his coming-of-age process. After the beatdown by Kevin initiated by Terrell, Chrion is is filled with anger and hits him with a chair in class and gets sent to Atlanta and starts dealing drugs. When we get to Black (act 3), Chrion is barely a shell of a his former self. Wearing baggy clothes, has a grill, and drives a lowrider. When Black meets up with Kevin back in Florida, he picks up on his lack of Indentity. Chiron at the end of the film slowly finds himself returning to a kid that he once was. When we get to act two he no longer wanted to be known as Little and by his real name but Kevin starts giving him the nickname Black and which would gateway us into ...
Did you know there was an alternate ending proposed where all three survive with a potential sequel? I would've hated it compared to how it played out.
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