Skip to main content

Cars...a childhood favorite of mine!

 


Somehow in our film class, Cars was selcted to be viewed for the last week. I've seen this film countless times throughout my life and love watching it everytime. However, it decided to watch and pay attention to more of cinematography rather than story...because I can pretty much quote the entire movie (I know it's sad). Since this is an animated movie, the shot types and lighting choices are way more flexiable or acessible to use because the animators can make it any way they want to. Looking at this film again and  outside of the story, I believe the cinematography and soundtrack boosted the overall enjoyment. 


You need to watch this clip...simply awesome!

A lot of the enjoyment of the shot types came from the opening race scene and intro monologue by McQueen. The cuts between the dark trailer McQueen and the cars/sounds racing. You feel the intense shift of quiet to loud sound and I was really intrugued by the choices Pixar made. In terms of shot angles stuck out to me when the shots cuts between the outside of the track, to the POV side moving shots on the cars and then cuting back out to all of the cars racing. It seems they repeated thus process throughout the race but with slightly different shots. From wide shots, to close uo shots of Lighting/Hicks/Strip then medium pivot shots of all of the cars. The racing scene had lots of moving shots and cuts that would have been diffcult if this was a real life movie. I think the amount of cuts and different shots made the movie enjoyment higher because it could encapsulate the intensity of the race that was happening. Overall, I will most likely never get sick or tired of this movie and will try to analyze the film in a different way again. 



Comments

Popular posts from this blog

Get Out (2017) with Chapter 5 terms: The Sunken Place

After reviewing chapter 5 about Cinematography and watching Get Out in class last week, I can use some of the terms to describe one of my favorite scenes from the film. This conventional thriller film pushed new waves on our interpretation of this genre. Diving into the iconic scene where Chris goes into the "sunken place" after Missy hypnotizes him. Popular director Jordan Peele and cinematographer Toby Oliver carefully crafted the stylistic choices with Chris and the setting. The main characteristic of lighting is Artificial lighting with fill. The lighting was established when Chris was sinking into the darkness and the light was from the viewpoint of what he was seeing beforehand.  It casted the dark void Chris was slipping into gradually losing light. The depth of field was chosen to be casted far away from our character to establish the "sunken place" idea with a high angle far shot on Chris. The slow movements the chracter was making created a vision of him b...

Reflection of Chapter 2

Although in my English Class during my senior year of High School, we reviewed a lot of the language of the film techniques. We spent an entire semester learning shots, lighting, and setting. We had to implicate those techniques into our very own film and if we didn't use at least one of shots/techniques then we would be downgraded. So most of this was just a refresher for me (so far) and I know that there will be a lot more for me to learn and study. I hope we go over more zooms and the way blurriness has an effect to film because my knowledge in that perspective is lacking.